Tag: New Zealand Museum

Bridging Worlds Through Knowledge: Celebrating International Museum Day 2026

Pensoft Publishers is proud to celebrate International Museum Day and its 2026 theme: Museums Uniting a Divided World.

Pensoft Publishers is proud to celebrate International Museum Day and its 2026 theme: Museums Uniting a Divided World. This year marks the 80th anniversary of the International Council of Museums, which stresses the enduring necessity of institutions that serve as custodians of our collective memory. In alignment with this year’s focus on fostering dialogue and peace, we have curated a special “Best of the Archive” collection. 

Here, we highlight recent research from a selection of open-access, museum-led journals that exemplify cultural diplomacy, repatriation, and the evolution of inclusive curation. These include Pensoft’s Natural History Collections and Museomics, Travaux du Muséum National d’Histoire Naturelle “Grigore Antipa” and Annals of the Natural History Museum Vienna, alongside the ARPHA-supported Papahou: Records of the Auckland Museum and Tuhinga.

Empowering Communities in Mexico

In our journal Natural History Collections and Museomics, researchers from the Institute of Ecology in Mexico demonstrate how entomological outreach can transform scientific surveys into community connections. Focusing on dung beetle research in Oaxaca, Mexico, the authors moved beyond data extraction to prioritise ethical engagement with Indigenous communities. Specifically, they utilised a knowledge exchange approach known as intercambio de saberes, which integrated “Traditional Ecological Knowledge” into the scientific process. By donating outreach collections to local libraries and documenting names in Indigenous languages like Ayuujk and Tu’un Savi, the project created a shared space for cultural and scientific dialogue.

Examples of interactions with elementary school students using entomological outreach collections after workshop sessions in the communities of Tlaxiaco and Huajuapan de León. Image credit: Cruz-García et al.

Read more: Cruz-García BJ, Sandoval O, Cruz-García EJ, Escobar-Hernández F, Arriaga-Jiménez A (2025) From collections to connections: empowering communities through entomological outreach. Natural History Collections and Museomics 2: 1-12. https://doi.org/10.3897/nhcm.2.147417 

Cultural Interaction in the Coral Sea

A review published in Tuhinga explores the “Connections across the Coral Sea” exhibition, which traces the movement of First Nations communities across Northern Queensland, the Torres Strait, and Papua New Guinea. This work, led by Safua Akeli Amaama of the Museum of New Zealand Te Papa Tongarewa, highlights a Cultural Interaction Sphere where about 100 cultural groups have traded resources and shared knowledge for centuries. The exhibition bridges geopolitical divides by showcasing shared cosmological stories, such as the star constellations known as Matariki in Aotearoa New Zealand and Usiam in the Torres Strait. This inclusive approach to curation honours the maritime technologies and spiritual connections that have long linked these diverse coastal regions.

Map of Northern Queensland coastline. Image credit: Safua Akeli Amaama.

Read more: Akeli Amaama S (2024) Connections across the Coral Sea: a story of movement (Queensland Museum, Australia). Tuhinga 35: 11-13. https://doi.org/10.3897/tuhinga.35.132206 

Citizen Science and Social Inclusion in Cyprus

The journal Travaux du Muséum National d’Histoire Naturelle “Grigore Antipa” highlights the power of public participation in its report on the first records of the Giant water bug in Cyprus. This research relied almost entirely on data provided by biodiversity enthusiasts through social media networks. Validating findings from non-scientists allows for the museum to foster a sense of inclusion and empowers local citizens to contribute to national biodiversity monitoring. This collaboration represents an important bridge between professional researchers and the broader community, ensuring that scientific knowledge is a collective achievement rather than an isolated one.

Photographs of Lethocerus sp. in situ. Records from Facebook Groups (FBG) and
Personal Communication (PC).

Read more: Hadjiconstantis M, Tziortzis I, Kunt KB (2023) On the importance of citizen-science: first records of the Giant water bug Lethocerus patruelis (Hemiptera, Belostomatidae) in Cyprus. Travaux du Muséum National d’Histoire Naturelle “Grigore Antipa” 66(2): 291-299. https://doi.org/10.3897/travaux.66.e94457 

Digital Repatriation from Aotearoa to West Africa

In Papahou: Records of the Auckland Museum, an article examines how open cultural heritage practices connect Aotearoa New Zealand with West Africa. Through partnerships with Wikimedia, the Auckland Museum is facilitating digital access to Nigerian and Ghanaian artifacts for their source communities. This initiative addresses questions of authority and authorship by allowing local advocates in Ghana and Nigeria to shape how their heritage is represented online. Indeed, by adopting a policy of “open by default, closed by exception”, the museum balances the democratisation of knowledge with the need for cultural safety and Indigenous sovereignty.

“Ikorodu Lagos State Town Hall Nigeria 1972 Designed by Michael Olutusen Onafowokan Part Plan Of Gallery 024” (circa 1961–1983). Wikimedia Commons.

Read more: Selvadurai A, Bayel H, Petercan AL (2026) Open access from Aotearoa to West Africa. Papahou: Records of the Auckland Museum 60: 11-15. https://doi.org/10.32912/papahou.60.187681 

Confronting Colonial History in Vienna

The Annals of the Natural History Museum Vienna contributes to cultural diplomacy by critically examining the provenance of osteological collections acquired during 19th-century naval expeditions. This interdisciplinary study investigates the ethical challenges of human remains collected from East Africa and Madagascar. It is becoming increasingly clear that the documentation of the circumstances of acquisition and the presence of colonial violence in the historical record is necessary to the adoption of better guidelines for future engagement and repatriation. This transparent approach to difficult histories is essential for building trust and understanding between European institutions and the communities whose heritage they hold.

Different assessments of trauma in the Tanzania and Madagascar Collection. Image credit: Schattke et al.

Read more: Schattke C, Wolf D, Berner M, Eggers S (2026) Ships and Bones: Violence contributing to and consisting in osteological museum collections. Annals of the Natural History Museum Vienna 127: 85-94. https://doi.org/10.3897/anhmw.182645 

Conclusion

As we celebrate the 80th anniversary of the International Council of Museums, we reaffirm our understanding that museums act as bridges across cultural, social, and geopolitical divides. Through the articles highlighted here, we see museums actively fostering dialogue, understanding, inclusion, and peace within and between communities worldwide.

For more museum-led research, make sure to follow Pensoft’s journals on social media:

Museum of New Zealand’s journal Tūhinga moves to Pensoft’s ARPHA Publishing Platform

Having decided to turn Tūhinga “into a 21st-century”, digital-native diamond open-access journal, the Museum of New Zealand Te Papa Tongarewa signed with scholarly publisher and technology provider Pensoft and its publishing platform ARPHA. As part of their agreement, not only is the journal to make its future content easy to read and discover by readers and computer algorithms, but will also do so for its legacy content.

Having decided to turn Tūhinga “into a 21st-century”, digital-native diamond open-access journal, the Museum of New Zealand Te Papa Tongarewa signed with scholarly publisher and technology provider Pensoft and its publishing platform ARPHA. As part of the agreement, not only is the journal to make its future content easy to read and discover by readers and computer algorithms, but will also do so for its legacy publications previously available solely in print. 

Tūhinga: Records of the Museum of New Zealand Te Papa Tongarewa is the successor of the Museum of New Zealand Records, the National Museum of New Zealand Records, and the Dominion Museum Records in Ethnology. Together, the outlets have acquired a nearly two century-worth of scientific knowledge provided by the museum’s curators, collection managers, and research associates across disciplines, from archaeology to zoology.

The renovated Tūhinga is to utilise the whole package of signature services provided by the platform, including ARPHA’s fast-track, end-to-end publishing system, which benefits readers, authors, reviewers and editors alike. 

This means that each submitted manuscript is to be carried through the review, editing, publication, dissemination and archiving stages without leaving the platform’s collaboration-centred online environment. The articles themselves are to be openly available in PDF, machine-readable JATS XML formats, and semantically enriched HTML for better reader experience. Thus, the journal’s articles will be as easy to discover, access, reuse and cite as possible. Once published, the content is to be indexed and archived instantaneously and its underlying data exported to relevant specialised databases. Simultaneously, a suite of various metrics is to be enabled to facilitate tracking the usage of articles and sub-article elements – like figures and tables – in real time.

The journal’s legacy content is to also become machine-discoverable and more user-friendly. Each of these papers will also be assigned with DOI and registered at CrossRef, while their metadata will be indexed at relevant databases. On the new journal website, they will be displayed as embedded PDF documents, while the reader will be able to do a full-text search of the article’s content.

Tūhinga welcomes original collections-based research in the natural sciences and humanities, including museological research, where its multidisciplinarity reflects the breadth and range of museum-based scholarship. The journal focuses primarily on New Zealand and the Pacific, but all contributions are considered. Having opted for a Diamond Open Access policy, the journal is to charge neither its readers, nor the authors.

“It’s a great honour to sign with the Museum of New Zealand Te Papa Tongarewa and provide our publishing services to Tūhinga. Particularly, we take pride in letting the whole wide world straight into the holdings of Te Papa and the knowledge they have prompted in the distant past: something that would not typically be possible had they remained only on paper,”

says Prof. Dr Lyubomir Penev, founder and CEO at ARPHA and Pensoft.