Tag: Art

You’ve probably seen nature depicted in art, but how often do you see an artwork hiding in nature?

When they saw the back of a lizard in the Southern Western Ghats, a group of scientists from the Thackeray Wildlife Foundation in India were reminded of Van Gogh’s The Starry Night. As soon as they figured out it was a new species, it was only apt to name it in honour of the famous painter.

“Cnemaspis vangoghi is named for Dutch painter Vincent Van Gogh (1853–1890) as the striking colouration of the new species is reminiscent of one of his most iconic paintings, The Starry Night,” explains Ishan Agarwal, who took part in the study to describe the new lizard. Males of the species have a yellow head and forebody and light blue spots on the back and they live among rocks and occasionally buildings and trees.

Photo by Akshay Khandekar. License CC-BY 4.0

Together with his fellow researchers Akshay Khandekar and Tejas Thackeray, they found the new species during an expedition in April 2022 to the the Southern Western Ghats in Tamil Nadu, India. Now, they have published their findings in the peer-reviewed journal ZooKeys.

“Tamil Nadu is an exceptionally biodiverse state and we expect to name well over 50 new species of lizards by the time we are done [with our expeditions]!,” Ishan Agarwal says.

From left to right: Akshay Khandekar, Tejas Thackeray, Swapnil Pawar, Ishan Agarwal, Satpal Gangalmale, Vivek Waghe.

“I also had more than 500 tick bites during that summer trip, with the highest densities in the low-elevation, dry forests of Srivilliputhur, where the new species are found,” he adds.

Cnemaspis vangoghi is a small-sized gecko that can reach 3,4 cm in length. It was described as new to science together with another species of its genus, Cnemaspis sathuragiriensis, named for its type locality the Sathuragiri Hills.

*Cnemaspis vangoghi* and *Cnemaspis sathuragiriensis*. Photos by Akshay Khandekar. License CC-BY 4.0

“The two new species are distributed in low elevation (250–400 m asl.), deciduous forests of Srivilliputhur, and add to the five previously known endemic vertebrates from Srivilliputhur-Megamalai Tiger Reserve, Tamil Nadu, India,” Ishan Agarwal explains. They are diurnal and mainly active during the cool hours of the early morning and evening, found largely on rocks. So far, they have only been found in very restricted localities, “an interesting case of micro-endemism in low-elevation species,” he notes.

Research article:

Khandekar A, Thackeray T, Agarwal I (2024) Two new species of the Cnemaspis galaxia complex (Squamata, Gekkonidae) from the eastern slopes of the southern Western Ghats. ZooKeys 1196: 209-242. https://doi.org/10.3897/zookeys.1196.117947

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Japanese cultural art of ‘gyotaku’, which means “fish impression” or “fish rubbing”, captures accurate images of fish specimens. It has been used by recreational fishermen and artists since the Edo Period. Distributional data from 261 ‘Gyotaku’ rubbings were extracted for 218 individual specimens, roughly representing regional fish fauna and common fishing targets in Japan through the years. The results of the research are presented in a paper published by Japanese scientists in open-access journal Zookeys.

Historical biodiversity data is being obtained from museum specimens, literature, classic monographs and old photographs, yet those sources can be damaged, lost or not completely adequate. That brings us to the need of finding additional, even if non-traditional, sources.

In Japan many recreational fishers have recorded their memorable catches as ‘gyotaku’ (魚拓), which means fish impression or fish rubbing in English. ‘Gyotaku’ is made directly from the fish specimen and usually includes information such as sampling date and locality, the name of the fisherman, its witnesses, the fish species (frequently its local name), and fishing tackle used. This art has existed since the last Edo period. Currently, the oldest ‘gyotaku’ material is the collection of the Tsuruoka City Library made in 1839.

Traditionally, ‘gyotaku’ is printed by using black writing ink, but over the last decades colour versions of ‘gyotaku’ have become better developed and they are now used for art and educational purposes. Though, the colour prints are made just for the means of art and rarely include specimen data, sampling locality and date.

In the sense of modern technological progress, it’s getting rarer and rarer that people are using ‘gyotaku’ to save their “fishing impressions”. The number of personally managed fishing-related shops is decreasing and the number of original ‘gyotaku’ prints and recreational fishermen might start to decrease not before long.

Smartphones and photo cameras are significantly reducing the amount of produced ‘gyotaku’, while the data from the old art pieces are in danger of either getting lost or diminished in private collections. That’s why the research on existing ‘gyotaku’ as a data source is required.

A Japanese research team, led by Mr. Yusuke Miyazaki, has conducted multiple surveys among recreational fishing shops in different regions of Japan in order to understand if ‘gyotaku’ information is available within all the territory of the country, including latitudinal limits (from subarctic to subtropical regions) and gather historical biodiversity data from it.

In total, 261 ‘gyotaku’ rubbings with 325 printed individual specimens were found among the targeted shops and these data were integrated to the ‘gyotaku’ database. Distributional data about a total of 235 individuals were obtained within the study.

The observed species compositions reflected the biogeography of the regions and can be representative enough to identify rare Red-listed species in particular areas. Some of the studied species are listed as endangered in national and prefectural Red Lists which prohibits the capture, holding, receiving and giving off, and other interactions with the species without the prefectural governor’s permission. Given the rarity of these threatened species in some regions, ‘gyotaku’ are probably important vouchers for estimating historical population status and factors of decline or extinction.

“Overall, the species composition displayed in the ‘gyotaku’ approximately reflected the fish faunas of each biogeographic region. We suggest that Japanese recreational fishers may be continuing to use the ‘gyotaku’ method in addition to digital photography to record their memorable catches” , concludes author of the research, Mr. Yusuke Miyazaki.

*Gyotaku rubbing from the fish store in Miyazaki Prefecture*
*Credit: Yusuke Miyazaki*
*License: CC-BY 4.0*

*Gyotaku rubbing of the specimen from Kanagawa found in the shop in Tokyo*
*Credit: Yusuke Miyazaki*
*License: CC-BY 4.0*

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Original source:

Miyazaki Y, Murase A (2019) Fish rubbings, ‘gyotaku’, as a source of historical biodiversity data. ZooKeys 904: 89-101. https://doi.org/10.3897/zookeys.904.47721

Tag: Art

Discovering Van Gogh in the wild: scientists unveil a new gecko species

On the edge between science & art: historical biodiversity data from Japanese “gyotaku”

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